Sofia Minson Artist

Artist Sofia Minson with native New Zealand bird artworks

Sofia Minson is an award winning New Zealand artist who paints finely detailed portrait, landscape and native bird works, inspired by her mixed Maori and European heritage and the land and myths of Aotearoa.

Her fine art limited edition giclee prints are personally embossed with a Sofia Minson signature and are accompanied with a signed certificate of authenticity.  Museum archival matte card and pigments have been used, ensuring lasting beauty and quality of your art investment for generations to come. Your Sofia Minson print will arrive at your door, unframed and sealed in a protective tube.

 

“Brahman” by Sofia Minson

$950.00

Limited Edition of 95 Fine Art Giclee Prints
500mm high x 805mm wide
Archival pigments printed on museum quality matte card
Personally embossed with a Sofa Minson signature
Signed Certificate of Authenticity provided
Unframed print arrives sealed in a protective tube

Product Description

“Brahman” is part of Sofia Minson’s Sacred Mirrors series of works. The following is the artist’s description of the piece:

“Brahman is the name of a variety of cattle in India, but this painting is modelled off an Angus bull.

I’m using the word Brahman here in the Hindu sense of the supreme spirit. Brahman has many forms and pervades the whole universe. It is symbolised by the sacred syllable Om, which is the sound or frequency of this dimension. Brahman is present in every person as the eternal atman.

We sense this atman or awareness in ourselves when we’re totally present. We can experiment getting in touch with the atman by becoming “the watcher.”  Instead of identifying ourselves with every random thought and emotion, we can try observing the thoughts and feelings in the body as weather or clouds passing by.  Treat them with compassion as you would a child who you love.  We can choose to not latch onto those phenomena and attach our go-to stories and reasons for things. Sometimes we can just be. And that is what this painting means to me.

In this work, I think of the black paint that washes over the cow’s body as representing the darkness of chaos. It is night. The womb of potentiality, nature and the source of all creativity. The bright yellow background is the sun. It is the light of day, order, safety and culture. Together they balance yin and yang.

I spent three years living in Sri Lanka with my mum and dad in my early teenage years. This was my introduction to Buddhist and Hindu religions and the idea of the cow as sacred.

Coming from little old New Zealand, I was exposed to drastically different cultures, religions and ways of life. This rapidly transformed my view of the world.  It is a mostly Buddhist and Hindu country with a small minority of Muslims and Christians. The holy temples and carvings, both new and thousands of years old, were of great power and artistic beauty.

Cows are deeply revered in Sri Lanka and India due to sacred teachings. Also because they are relied on heavily for dairy products and tilling the fields. Cow dung is a source of fuel, fertilizer and is also the best place to find Psilocybin mushrooms growing in the wild.

When ingested, these mushrooms produce ego dissolving states of consciousness. Truths about the nature of the universe are revealed. Along with meditation, these psychedelic experiences may have seeded many ancient religions. To this day when people of Hindu faith go into a temple, a sacred part of their ritual is to take a handful of white powder and rub it onto their foreheads. That white powder is cremated cow dung.

As a result of this respect, cows cannot be harmed and are allowed to wander freely. There’s obviously a positive and negative side to animals roaming the city streets. Unfortunately in Sri Lanka it was a regular sight to see them munching on piles of rubbish including plastic bags.

The patterns on this cow’s head are a mixture of Maori and Eastern designs.  The eight petalled lotus flower at the centre of the forehead is seen in Buddhist mandalas. It signals cosmic harmony and is often used as an object of focus to aid meditation.  The lotus flower closes its petals at night and sinks underwater, to rise and open the petals again at dawn. Ancient Egyptians taught that the lotus represented the sun. Because of this opening and closing cycle, it also symbolised creation and rebirth.

The eight petals of the white lotus seen here, correspond to the Buddhist Noble Eightfold Path. Vision; loving compassion; truthful speech; ethical action; livelihood of non-exploitation; vitality; mindfulness; single-pointedness of mind and body.

The triangular pattern at the third eye is the jewelled doorway into the universal cosmic mind.”

– Sofia Minson

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Additional Information

Weight.4 kg
Dimensions60 x 10 x 10 cm

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Sofia Minson is a portrait, landscape and native bird painter of Ngāti Porou (Māori), Swedish, English and Irish heritage. Using acrylics, oils and other mixed media, she works from her studio in Auckland, New Zealand.

Born in Auckland in 1984, Sofia spent much of her childhood in Samoa, Sri Lanka and China due to her father’s civil engineering work. On returning to New Zealand as a teenager, painting enabled her to reconnect with her homeland and her mixed Māori and European heritage, as well as celebrate the cultural and religious diversity that she had experienced overseas.

Since 2004 Sofia’s paintings have been exhibited and collected in the USA, Europe and throughout New Zealand. She has won three national art awards including the Molly Morpeth Canaday Art Award in 2005 and is a three-time finalist in the New Zealand Portrait Gallery’s Adam Portraiture Awards, winning People’s Choice in 2012 when the finalists’ exhibition toured to Christchurch.